A simple but very effective transient designer. With regards to features the SPL version is as simple as it gets. I find the SPL to be one of the most pleasing to the ear. I will use this version if I need to design the transients across the entire frequency range. Out of all the transient designers I have this is the one I will use most often.
But is it the best? Well it's good, it does the job and it does it very well. The plugin is still to this day the most popular and the transient designer you think about when someone mentions a transient designer. The hardware version was one of the first of it's kind and was a tool that was found in almost every studio before plugins became so popular. This version of the transient designer for me is what I grew up using. Ok let dive straight into the question were here to answer.Īll transients designers are similar, all will work in a similar way but some have a lot more in depth features that make designing your transients easier and to a better effect.
It works in far more depth than a simple ADSR but works in a similar way. Imagine a transient designer as an ADSR but you only have the attack and sustain controls. The sustain can be increased to allow more release of the snare drum. For instance on a snare drum the attack can be increased on the snare to add more snap and punch to the beginning of the sound. But which one should you buy, this is what we are going to discuss here.įirstly lets quickly go over the question.Ī transient designer is a tool used to shape the transients of a sound. All transient designers work in a similar way, they all achieve the goal of shaping the transients. For us at Audio Animals it's an essential tool. The transient designer is a tool that is often forgot about or not even known about.
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